Tom Alter, the son and grandson of the American Presbyterian missionaries who first came to India in 1916, grew up in north India in the small towns of Rajpur and Mussoorie, and studied at Woodstock School. It was while teaching at a school in Jagadhri, Haryana in the early 1970s that Tom picked up his Hindi and fell in love with the movies. In that era, television was not common in India and so most people used to watch movies several times a week.
Tom was enamoured by the films and in June 1972, after noticing a small classified advertisement in the newspaper, he enrolled himself at the prestigious Film and Television Institute of India at Pune. Tom was one of two people selected out of more than 1000 applicants that year and he learned his craft at the FTII, where he studied with the likes of Benjamin Gilani, Naseeruddin Shah, Shabana Azmi, Mithun Chakraborty and others.
After graduating from the FTII (Film and Television Institute of India), Tom headed straight to Mumbai (Bombay then) and soon got his first break in the Dev Anand starrer ‘Sahib Bahadur’ directed by Chetan Anand. His first release, however, was Ramanand Sagar’s ‘Charas’. Steady work came to Tom throughout the 1970s and 80s and he worked with luminaries such as V. Shantaram, Raj Kapoor, Hrishikesh Mukherjee, Manmohan Desai, Manoj Kumar and Satyajit Ray as well as a host of lesser-known directors. He has also acted in regional cinema — Bengali, Assamese, Telugu and Tamil films. Tom was witness to the coming of television to India and worked on the small screen in a number of popular serials, the biggest of which was the popular drama ‘Junoon’ which ran for a period of five years. In it, he played the role of the mob lord Keshal Kalsi — KK, as he was famously known. During the same period, Tom acted in the ensemble comedy ‘Zabaan Sambhalke’, another drama called ‘Ghutan’, and hosted the health-based talk show ‘Mere Ghar Aana Zindagi’.
Some of his most famous movie roles have been as Musa in Vidhu Vinod Chopra’s acclaimed crime drama ‘Parinda’, Mahesh Bhatt’s blockbuster romance ‘Aashiqui’, and Ketan Mehta’s ‘Sardar’, in which he essayed the role of Lord Mountbatten. Tom has also accumulated a body of theatrical work, the most recent having been in the theatrical reproduction of William Dalrymple’s ‘City of Djinns’ and the solo play ‘Maulana’, based on Maulana Azad for which he has received much critical acclaim. He has also received praise for his role in the art film ‘Ocean of An Old Man’, which has been screened at film festivals around the world. Among several international assignments was the opportunity to work with Peter O’Toole in the Hollywood film ‘One Night With The King’.
In addition to acting, Tom has also ventured into direction — he directed a one-shot episode for the short-lived series ‘Yule Love Stories’ in the mid-1990s — and was a sports journalist in the late 1980s to early 1990s. He has written three books, one non-fiction and two fiction, and in 2008 he was awarded the prestigious Padma Shree by the Indian government in recognition for his services to the field of arts and cinema. His demise is a loss to the Indian film industry. May his soul rest in peace.
(The views expressed by the author in the article are his/her own.)