Kajal Aggarwal has apparently never done an on screen kiss, may it be South Indian films, or Mainstream Hindi Films. As Deepak Tijori’s “Do Lafzon Ki Kahani” happens to be a love story, Aggarwal was neither prepared, nor aware of a kissing scene whilst they were filming in Malaysia, and it was a shock for her when Hooda grabbed and smooched her, while enacting the scene.
It seems Hooda caught Aggarwal completely unaware while doing a scene in Malaysia.
Aggarwal and Hooda were doing a highly emotionally volatile scene between them, and latter being the character actor breed, got carried away in the moment of the character, and just grabbed former’s face, and went for the lip lock. Aggarwal immediately withdrew herself from the scene, and backed off.
Although she did not say anything to her co-actor Randeep Hooda, keeping in mind his sensibilities as an actor, she called for a cut and just went aside. Deepak eventually had to go and pacify Kajal, where she asked him to delete the shot that was canned, and go for a clean take.
On asking Deepak, he clarified “well I do remember Kajal had told me that she does not do kissing scenes on screen, as she is a huge south Indian movie star, and this would impact her career in south movies. But lemme tell you there was no intention to malign her or kiss her out of force, but it was the emotional moment between two lovers as per the script, and I generally prefer actors doing scenes impromptu, so Randeep followed the emotional quotient of the scene, and made a go at it.
Sure it did take Kajal in a shocking zone, and she did back off calling for a cut, but later on once I had explained to her the significance of the lip lock, she surrendered herself to the script, and went on to do the scene with all the passion she could put in.”
It was a furious moment between Deepak and Kajal, but as they say “all’s well that ends well”, and so we finally get the south Indian queen doing her first ever Bollywood lip lock on screen.
It surely seems like Do Lafzon ki Kahani (lip lock) after all.
